George J. Bancroft
Having retired from a
35-year career at The Morning Call newspaper in Allentown, PA, George J.
Bancroft has turned his 50-year photography avocation into a new career.
He is self-taught in his journey of photographic expression, a journey
that has taken him from Maine to Canada, to Florida, California, Hawaii
and many points in between, always carrying a camera.
He has had
photographs published in The Washington Post, The Los Angeles Times, The
Morning Call and various other newspapers during 35 years as a
prize-winning reporter and columnist, associate national editor,
enterprise editor, edition editor, desk editor and systems editor at The
Morning Call, involved in implementing new technologies at the
newspaper.
A number of his
photographs have been distributed widely by both The Associated Press
and the former Los Angeles Times-Washington Post Syndicate. He has
contributed pictures to CBS3.com in Philadelphia.
He was founding
editor of the web site www.mcall.com,
responsible for its content, design and operations in the mid-1990s.
He has worked
extensively with picture selection, editing and design, both on paper
and electronically.
He recently concluded
a yearlong online exhibit at the Westport, Connecticut Arts Center (www.westportartscenter.org)
and has a commitment for an exhibit at a gallery being built in rural
Herkimer County in New York. His most recent gallery exhibit was
in Quakertown, Pennsylvania. He has photographic art on display in
private collections in Pennsylvania, New York, New Jersey, Connecticut
and California.
Another contributor
to this site is his son, George J. Bancroft, Jr., who often contributes
images from his wanderings outdoors and around the country.
A recent project,
the partial results of which currently are posted here, is a collection
of portraits of the historic covered bridges of Bucks, Lehigh,
Northampton and Montgomery counties in southeastern Pennsylvania.
So keep visiting --
the photographs never stop.
An artist's statement if you will....
"Photography should be fun and wondrous for the photographer, the casual
viewer and the buyer. This is my approach to all of my work, even
the most serious.
I am a big fan of
photographic technology. It helps us find the photograph within
the picture. Today's computer and printing processes extend our
visual reach, revealing things we've never seen, and things we never
will see in daily life.
A photograph succeeds if it jars even one
person's perceptions; if it unveils just one previously hidden detail of
its subject. That's what makes photography art.
The tools are just a means to an end. A
painter can use canvas or wood, brushes or sponges, oils or acrylics.
A photographer also has an array of tools -- the camera and lens, the
computer and software, electronic brushes, varieties of media to print
upon, different inks, printers and something in common with the more
traditional artist -- vision. I've never met a
mushroom I didn't like when lying on a forest floor for an hour focusing
closely with different settings to get myself into that mushroom's
world. I walk away from that with a cornucopia of thoughts and
images. Then with the luxury of time and a wide array of artists'
tools I set about perfecting my vision upon my electronic canvas, ready
for reproduction to decorate an empty wall." |